Heinz Holliger (*1939) He was born in Langenthal, Switzerland, canton of Berne. During his grammar-school education he already studied oboe with Emile Cassagnaud at the Conservatoire of Berne and composition with Sándor Veress. From 1958 he continued his studies with Yvonne Lefébure (piano) and Pierre Pierlot (oboe) in Paris. Between 1961 and 1963 he studied composition with Pierre Boulez at the Music Academy of Basel. After winning first prizes at international music competitions (Geneva 1959, International Music Competition of the ARD 1961), Holliger began to give worldwide concert performances as an oboist. Contemporary composers such as Hans Werner Henze, Krzysztof Penderecki, György Ligeti, Elliott Carter, Witold Lutoslawski, Karlheinz Stockhausen, and Luciano Berio wrote compositions specially for him. Among his outstanding achievements is the rediscovery of forgotten works by 18th-century composers such as Jan Dismas Zelenka and Ludwig August Lebrun.
Holliger's oeuvre covers all genres – from stage works via orchestral, solo and chamber music works to numerous vocal pieces. Almost all compositions bear testimony to a tireless search for the limits of sound and language. His music is often preceded by an intensive examination of artists' or poets' lives and lyrical texts. He has always been fascinated by artists living on the edge of society or at the edge of life. At this point, the
Scardanelli Cycle (1975-1985) has to be emphasized, in which Holliger turns the last poems of Friedrich Hölderlin into a cycle of 2.5 hours duration for different instrumentations. For this work, the composer was awarded the Premio Abbiati of the Biennale di Venezia in 1995. In
Gesänge der Frühe for choir, orchestra and tape, premiered in 1988, Heinz Holliger combined poems by Friedrich Hölderlin with music by Robert Schumann. In the two song cycles
Drei Liebeslieder (1960) and
Fünf Lieder (1992-2006) for contralto voice and orchestra, he concentrated on poems by Georg Trakl. In the cycle
Glühende Rätsel for contralto voice and 10 instrumentalists (1964) Holliger set verses by Nelly Sachs to music. Even poems by Christian Morgenstern were set to music by Heinz Holliger (
Sechs Lieder for soprano and orchestra, composed in 1956-1957, orchestrated in 2003).
For the stage, Holliger wrote the opera
Schneewittchen which was premiered at the Zurich Opera in 1998. The composer adapted the text from the work of Robert Walser in which, in contrast to Grimm's fairytale, the shadows of the characters meet after the actual story. The examination of texts by Samuel Beckett resulted in the composition of three other short stage works:
Come and go (1976-1977),
Not I (1978-1980), and
What Where (1988). Holliger's concert pieces too often refer to biographies or literary works:
Concerto 'Hommage à Louis Soutter' for violin and orchestra (1993-1995, revised 2002) portrays the life of the Swiss painter. In
Siebengesang (1966-1967) for oboe, orchestra, singing voices and loudspeaker, he incorporates a poem by Georg Trakl. Holliger has composed numerous chamber music works, including the early
wind quintet (1968),
Romancendres for violoncello and piano (2003),
Contrechant sur le nom de Baudelaire for (bass) clarinet (2008) as well as two string quartets and solo pieces for almost every instrument.
SchottDer magische Tänzer, Versuch eines Ausbruchs (1963-1965).
Fragmento.
Schneewittchen, ópera en cinco escernas, un prólogo y un epílogo (1997-1998).
Fragmento.