PlaybillArts
The Juilliard School has launched a website containing high-resolution photographs of about 70% of the extensive manuscript collection donated last year by board chairman Bruce Kovner.

Approximately 8,000 pages of the manuscripts are now viewable on the site in striking detail. The site uses Zoomify technology, allowing for quick magnification, and its photos were taken by Ardon Bar Hama (who digitized the Dead Sea Scrolls) on a $30,000 Leaf Aptus 75 digital camera.

Forty-two composers, ranging from Purcell to Peter Maxwell Davies, are represented on the site. Special documents of note are those with extensive revisions and annotations made by the composer's own hand:


J.S. Bach's Cantata BWV 176, Es ist ein trotzig und verzagt Ding (transposed continuo part)
Beethoven's Fidelio (excerpt of a working manuscript)
Beethoven's Ninth Symphony (first known sketches and manuscript prepared for the printer)
Brahms's Second Symphony (copyist's manuscript)
Brahms's Second Piano Concerto (first edition)
Brahms's Klavierstücke, Op. 118 and Op. 119 (engraver's proofs)
Liszt's Années de pèlerinage, 3e année, Jeux d'Eaux á la Vlla d'Este
Rachmaninoff's Rhapsody on a Theme of Paganini (copyist's manuscript)
The site also contains Beethoven's Grosse Fuge arranged by the composer for piano four-hands; the final scene of Mozart's Nozze di Figaro; Purcell's earliest surviving manuscripts (of Dido & Aeneas and The Tempest); a working manuscript and heavily-worked draft of Schubert's Violin Sonata D. 384; the continuous and nearly complete draft of Schumann's Second Symphony; and Toscanini's marked-up copy of Wagner's Die Walküre.

From Wagner's meticulous scoring to Leonard Bernstein's caricatures of Copland, viewers are also acquainted with the composer's personality through his penmanship, scribbles and assorted drawings, probably the most immediately alluring element of such documents.

The majority of the remaining scores not digitally represented are early and first published editions. "The focus [of the website] is on the dissemination of the unique sources of the collection," Juilliard Library vice president Jane Gottlieb told PlaybillArts. For example, "We do plan to include the Schnittke collection of manuscripts in the near future," she said.

The site has had 6,317 visitors (85% unique) since its announcement last month, said Gottlieb.

A climate-controlled reading room that will house the entire collection is scheduled for completion in fall 2009. The annual cost of the maintaining the collection will amount to six figures, The New York Times quoted Juilliard president Joseph Pollisi saying. Access to the collection will be limited to researchers and students for whom facsimiles are not adequate in their investigations.



La dirección es:
www.juilliardmanuscriptcollection.org.

Yo ni idea de partituras, pero tiene buena pinta

Muchas gracias

Bonita pagina. Y curiosa.

Gracias, Zerlina.

Gracias!!me encantan las partituras manuscritas!
yo tengo el Requiem de Mozart y el concierto para piano n° 26,la sonata y fantasia en do menor,el primer Menuetto que escribio...
es precioso y emocionante tocar directamente de la escritura del compositor! (aparte que la musica no esta contaminada de estupideces que anaden las editoriales...)